FLUXUS - ABOUT FLUXUS FROM ALLAN BUKOFF - 2005-02-08

Sent: Friday, January 07, 2005 10:52 AM Subject: Re: FLUXLIST: from allen
bukoff Allen is right. Fluxus has devolved into the sad spectacle of those
who originally disdained canonicity desperately trying to ensure the
presence of their own work in the canon. It's a bit pathetic.

Fluxus, the original entity, has become a collection of objects and texts of
interest only to academics, such as Hannah Higgins, bless her good
intentions, whose new PhD will only sift another layer of dust over the
legacy that she's preserving. Shows of Fluxus artifacts, like the one at
the Walker Art Center a couple of years ago, are an incredible yawn, heaps
of paper in vitrines. They are evidence of the end of the thing.

Fluxus isn't meant to be an archive, it's meant to be a practice, and such
practices cannot be owned. The current discourse around the idea of
copyright that has been sparked by the internet illuminates this as well.
There is a potential in the net for great and radical changes in the notion
of the creative practice and its relation to the individual and to the
culture at large. This potential is intimately related to the possibilities
that Fluxus opened.

So why, then, do later practicitioners want a relation to the name Fluxus?
Why don't we simply call it something else, Flewage, whatever? Because the
practice known as Fluxus is a legitimate component in what is happening, and
it's weird and cumbersome to be forced to ignore it, a kind of
falsification.

Plus, to stop using the word is to acknowledge that a group of people who
once pursued the practice own the word and its attributes, even own the
practice. It's sort of like being disowned by one's parents. If my father
insisted that the name "Klefstad" was his, and that all the characteristics
that it implied stopped with him, because he owned the word and its
attributes, and said, "Find your own name," that would be analogous to the
sad and paranoid behavior of the Fluxus artists I've witnessed, from the
Anderson/Friedman feud to the notion that the term "Fluxus" was reserved for
the chosen few, even if that meant that the practice was doomed.

I think we should just hijack the word.

Ann Klefstad On 1/7/05 9:27 AM, "Alan Bowman" <alanfffo@superdada.com>
wrote:

Allen Bukoff has asked me to forward this to all. I request that you all
read it and give it just consideration.
Allen, in my opinion, has had more to offer on the 'Fluxus' front than many
in recent years. Wether the "F" word matters or not is one thing, Allen and
Fluxus Midwest has/have provided a valuable source of fluxus art amusement
over the years, and before it goes...
CHECK OUT http://fluxus.org and it's related sites.

ab MESSAGE FOLLOWS Many are called, but none are now chosen.





An open letter to 1st and 2nd generation Fluxus
AYO Eric Andersen Henry Flynt Ken Friedman Geoff Hendricks Alison Knowles
Larry Miller Yoko Ono Nam June Paik Ben Patterson Carolee Schneemann Ben
Vautier Lamonte Young Emmet Williams -other names to be added to this list,
as I distribute it.



6 January 2005
Dear Fluxus,

I was very fond of Emily Harvey. I miss her a lot. I am sorry I will not
be there to help you honor and remember Emily Harvey tonight.

Emily Harvey's passing marks a passing for me, too. I am walking away from
Fluxus. It is, unfortunately, unnecessary to announce my departure:
most of you don't even know me. You probably didn't even realize that I am
a part of Fluxus and that I operate and host a number of websites that have
promoted Fluxus for the last nine years. And none of you have ever
acknowledged that I am, in fact, an active Fluxus artist who has pioneered
new little directions and forged new sensibilities in Fluxus for more than
20 years now. That is why I am leaving.



Twenty years ago I fell in love with Fluxus and the monumental creative
revolutions you all initiated more than 40 years ago. You changed and
expanded what creativity and knowing means. You changed Western culture.
You changed the world. You ripped a new hole in the universe. And you did
it with simple little ideas, games, objects, performances, and concepts.
I will always admire your astonishing accomplishments. What you did was so
big that no historian, writer, collector, or curator has ever gotten their
arms around it satisfactorily.

But an equally astonishing thing has been going on in Fluxus for the last
twenty years. You have been letting Fluxus die.

At one time you welcomed people to Fluxus. You recruited people to Fluxus.
I know you have always been a contentious lot, but there was a time when the
Fluxus door was open, you invited people in, and you made it grow. You
embraced a "second wave" of Fluxus artists-e.g., Ken Friedman, Larry Miller.
You encouraged new Fluxus work and new Fluxus projects. But as far as I can
tell, this pretty much stopped 20 or more years ago (Friedman's Young Fluxus
show in 1982 is the last time any of you sponsored a show of "new"
Fluxus artists). What happened to you?

Letting Fluxus die is a terrific and unnecessary shame and I place most of
the blame on you (the people to whom this letter is addressed). I blame you
individually and I blame you collectively. You have served Fluxus poorly
during these last 20 years and you are letting Fluxus die. It didn't have
to be this way. For the last 20 years, an increasing number of mostly
young, bright, and talented people have been showing up and knocking on the
Fluxus club house door . and almost all of you have either been too deaf or
self-centered to hear them, or worse, you have continued to wring your hands
over whether anyone should or could open the door (the issue of who has the
"authority" to welcome and declare new Fluxus artists has been a convenient
excuse). All you really had to do was open the door and show a little
kindness. Why has that been so hard for all of you to do?

During the last 20 years many different people have been "called" to Fluxus.
I am one of those people. We learned about Fluxus in one way or another and
were struck by lightning, had an epiphany.and generally felt we had found a
place where we really belonged. We had hoped to find a home in Fluxus.

And many of just started doing and being Fluxus in our own way.much like all
of the original Fluxus folks had their own individual understanding and
gifts for Fluxus activities. And one way or another as we have gotten
stronger in our own Fluxus work, we have stepped forward and tried to share
this work with you. Needing to find some acknowledgement and encouragement
from the people who launched this Fluxus ship. We approached you with
respect.

We approached you as Fluxus authorities. We knocked on the door and you did
not answer. The most that some of you have been able to do for a whole new
generation of Fluxus artists is hand us some tedious book on Fluxus so we
could "study up," or you smiled patronizingly and encouraged us to attend
your next exhibition. You didn't even seem to consider that any of these
new folks could take you and Fluxus some place new and exciting where it
hadn't been before. And frankly, some of these new Fluxus folks have been
doing more interesting work and more truly Fluxus work than many of you have
been doing during the last 20 years.

Many bright and talented people have not stayed long to knock, however.
They heard the authoritative pronouncements that Fluxus was "dead" or
"over." This was very confusing and discouraging-many of us could feel the
spirit of Fluxus alive in ourselves and in our own work, so we couldn't
understand how Fluxus could be dead. But you didn't answer the door and
many eventually walked away. I have knocked longer than most-for more than
20 years now since I founded Fluxus Midwest in 1982. Dick Higgins and Emily
Harvey (and Carolee Schneemann) were the only ones to acknowledge and
encourage my own Fluxus work and experiments, but now Dick and now Emily are
gone, I'm out in the cold, and I'm tired of knocking. So I am packing up my
Fluxus bags, and taking my creativity and energies elsewhere.

I am closing down the many internet websites I have constructed and hosted
to promote and honor Fluxus: The Fluxus Portal, the Fluxus Homepage, the
Emily Harvey Gallery, the Museum of the Sub-Conscious, the Dick Higgins
memorial website, and numerous other webpages promoting the work of many
original Fluxus artists. I doubt that many of you will notice. I have also
walked away from FLUXLIST-the pioneering Fluxus email discussion group that
I co-founded with Dick and Ken Friedman. FLUXLIST is another example of
what I am talking about. Most of you could never even bother to subscribe.
By not participating you have missed a great audience and a wonderful chance
to discover and encourage many new Fluxus artists and to learn about their
work. It would have given you back more energy than it would have taken.

Almost all of you have failed to recognize three obvious things about
Fluxus--about the Fluxus you helped create!

1.. Fluxus is more than Art. It's bigger than that. To confine it to
being understood as being primarily a phenomenon in the realm of art is to
let it die.
2.. Fluxus can still be a vibrant and energetic force. By refusing or
failing to recognize this for the last 20 years, you have been letting
Fluxus die.
3.. Fluxus is bigger than you. Fluxus is bigger than the initial group or
Fluxers, it's bigger than Maciunas. You guys didn't finish off or
"complete" the Fluxus project, you just got it started! Many others have
come to Fluxus with new Fluxus ideas and projects, and many of you haven't
even bothered to notice. By confining Fluxus to yourselves, you are letting
it die.

You all have spent so much time during the last 20 years trying to shape
your legacy and the legacy of Fluxus, and few if any of you are satisfied
with the results-the exhibitions, the collections, the books. Instead of
trying to manage Old Fluxus you could have been leading a new group of
Fluxus artists to explore new Fluxus directions and new Fluxus territory?

Wouldn't it have been a lot more energizing and a lot more fun to fan new
Fluxus flames than struggle with collectors who have catalogued your work
but failed to capture your spirit or the scope of your actual
accomplishments?


I can only imagine that if George Maciunas were alive today he might have
excommunicated you all by now and found a new and younger gang of Fluxus
rabble rousers to continue his mischievousness. I imagine him cooking up
guerrilla art activities and staging "terrorist" art attacks against some of
the collectors and historians who demean him and you by saying Fluxus was no
bigger than him and no bigger than you.

Fluxus has the potential to be a bigger, more vibrant and creative force in
the world today than even the project George Maciunas imagined.
Certainly the world's need for the expanded creativity and the knowing that
Fluxus provides is greater than ever. Because of the availability of more
publications and catalogs documenting Fluxus work and because of the
internet, more people know more about Fluxus than ever before. Fluxus is
attracting more people than ever before-as much outside the art world as in.
More people than ever before want to participate in and make their own
contribution to Fluxus. But you-the founders, the brave pioneers-have
turned your back on them. And you have turned your back on a marvelous
opportunity to expand your legacy and help Fluxus continue.



Sincerely, Allen Bukoff, PhD Social Psychologist and Fluxus Artist
Birmingham, Michigan visit the FREEFORMFREAKOUT ORGANISATION online!
http://freeformfreakoutorganisation.net

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